Art 101: Introduction to Visual Art

Art 101: Introduction To Visual Art

Section A: MWF, 2:30-4:20. Spring 2011. Classroom: BLC YC 202

Instructor: David Hamlow. Office hours: By appointment, BLC YC 202

E-mail: David.Hamlow@blc.edu.

Course Objectives:  Visual Art is a powerful form of communication with a unique vocabulary: a written and visual language all its own.  In this course, students will learn to be conversant in this language in theory, discourse and practice. This is primarily a studio class: students will use the basic language of visual organization—what are called the Elements and Principles of Art—to solve visual problems and create artworks through a variety of media and methods. Although art making is our main focus, students will also learn to use the vocabulary of visual organization to describe and evaluate forms of visual expression, and become familiar with and conversant in the basic history and philosophy of visual art and culture.

Class Format: Class sessions will generally include an initial discussion of content and vocabulary--supported by visual examples--followed by practical application of concepts in the form of an art making assignment or exercise. Some activities will be completed in a single class period; others will be more involved assignments that will require multiple studio sessions and/or homework time. Additionally, content covered during a class period may be reviewed the following class period in the form of a short quiz (10 or so short questions) or review of images collected by students. Content will be divided into Three Units. Each unit will include one or more Unit Projects:  fully finished two-dimensional compositions reflective of an understanding of the skills and concepts covered in the unit.

Grading, Participation and Attendance:  In this course, we will cover a large amount of content over a short period of time. Many activities will require students to be present in class in order to complete them. For these reasons, attendance of all class sessions is vital to success in this course. Missing more than three sessions of this course may result in a reduction of your overall course grade. Missing more than 5 session of this course may result in failure of this course.  Students who must miss a class period are responsible for making their own arrangements to receive content and assignments. E-mail the instructor prior to missed class periods whenever possible to ensure prompt make-up of missed work. This is a hands-on visual art class: some content cannot and will not be delivered via e-mail. Students may need to make an appointment to meet with me to receive content. Medical or other emergencies must be properly documented in writing. Work will be marked late, and participation points lost, if written proof of emergencies is not provided. This includes all personal or family emergencies of any kind, as well as any automobile problems and any funerals or hospital visits. These problems will not be excused without written proof: don’t ask if or assume that they will. No court appearances, vacations, or work conflicts will be excused: don’t ask if or assume that they will.

 The course units are as follows:

Unit One: Unity and Variety: 30 points

Unit Two: Organization and Emphasis: 30 points

Unit Three: Value and Color: 40 points.

Course Total: 100 points.

GRADE DISTRIBUTION:

100-93: A, 92-90: A-, 89-87: B+. 86-83: B, 82-80: B-, 79-77: C+. 76-74: C, 73-70: C-, 69-67: D+, 66-64: D, 63-60: D-, 59-000: F

Text: There is no text for this course. Design Basics by David Lauer and Stephan Pentak (Edition 6, 2005, Wadsworth) is recommended.

Supply List:

1: spiral bound notebook with at least 50 pages. *

3: B or #2 pencils.

1: white plastic eraser.

1: metal pencil sharpener.

1: black marker, double ended, with fine and chisel tip.

1: 18x24 drawing pad, preferably tape-bound or, if spiral-bound, with perforated, pullout sheets.  Suitable for dry and wet media if possible.

1: An 18” metal, cork-backed ruler.

2: large glue sticks (clear, not colored), paste rather than liquid type.

1: adult-sized scissors.

1: roll artists or drafting tape (low-tack, removable).

1: medium tube of each of the following acrylic paints:  Titanium white, mars black, cadmium yellow light. Cyan or Ultramarine blue and Napthal or Cadmium Red Medium.

4: small disposable food containers with lids. *

1: medium sized flat acrylic bristle brush

1: medium sized round acrylic bristle brush

1: small sized round acrylic bristle brush

2: water containers: medium margarine containers work well. *

1: color wheel

1: Masonite-backed white palette or disposable palette-pad.

10-12 colored pencil or 10 oil pastels.

Several Magazines: (for collages and visual examples). VERY IMPORTANT.*

Recommended: Apron or old shirt.  A small box with handle for supplies (a tackle box works well).  *

A kit including the supplies above (excluding those with an *) can be ordered from :

Utrecht Art Supplies in Minneapolis: 612-339-3400/store34@utrecht.com

The kit will be delivered to this classroom in time for our first studio assignment.

Tentative Schedule:

M 1-10: Introduction to Course W 1-12: Introduction to Elements and Principles of Art. Assignment: Visual Examples of Elements and Principles. Introduction to Unit One, Project One: Unity and Repetition. Work time for Project 1:1. F 1-14: Review of Elements of Art. Work time for Unit One, Assignment One. M 1-17: Review of Principles of Art. Work Time for Project 1:1 F 1-21: Work time for Project One in-progress small group critique

M 1/24: Critique of Unit One Project One. Introduction to Unit One, Project 2: Line Quality and Variety. Work time to collect images of Unity Strategies. W 1/26-F 1/28: Work Time for Project 1:2.

M 1-31-W/2/2: Work time for Project 1:2.  F 2/4: Work time Project 1:2. In progress Critique.

M 2/7: Critique of Unit One, Project Two. Introduction to Unit Two, Project One: Symmetry and Pattern.

W 2/9: Work time for Project 2:1. F 2/11 Work time for Project 2:1

M 2/14-W 2/16: Work time for Project 2:1. F 2/18 Work time for Project 2:2, in-progress critique.

M 2/21 Presidents Day: NO CLASS. W 2/23: Critique of Project 2:1, Introduction to Project 2:2: Asymmetry Collage Group Project Work time for Project 2:2. F 2/25 Work time for Project 2:2.

M 2/25: Critique and Presentations of Project 2:2. Introduction to Project 3:1: Music and Color. Work time for Project 3:1

W 3/2: Work time for Project 3:1

F March 4-F March 11: Spring Break.

M 3/14-W 3/16: Work time for Project 3:1. F 3/18: Work time for Project 3/1 in-progress critique.

M 3/21: Work time for project 3:1

W 3/23: Advising Day: No Class. Friday 3/24: Work Time for Project 3:1 In-Progress critique.

M 3/28: Critique for Project 3:1. Introduction to Project 3:2: Value and Color Translations. Work time for Project 3:2 part 1. W 3/30-F 4/01: work time for Project 3:2, part 1.

M 4/04: in-progress critique Project 3:2 part 1. work time for Project 3:2 part 2. W 4/06-F 4/08: work time for Project 3:2, part 2.

M 4/11-F 4/15 Work time for Project 3:2, part 2

M 4/18: In-progress critique for Project 3:2 part 2. Work time for Project 3:2 part 3. W 4/2: Work time for Project 3:2, part 3.

F 4/22 and Monday 4/25: NO CLASS EASTER BREAK.

W 4/27-F 4/29 Work time for Project 3:2 , part 3

M 5/2-F 5/6: Work time for Project 3:2 Part 3

 FINAL CRITIQUE OF UNIT THREE, PROJECT 3: Will occur at our scheduled final (date and time to be announced at a later date). Mandatory to pass course.